Filmmaker Magazine -
8 Sep 2019 17:38

Eddie Murphy was all of 21 when he started shooting 48 Hrs. There were no years of supporting player quips to work himself up the ladder--instead, he landed the lead in an excellent, commercially successful movie first time out. He wasn’t the kind of comic who needed a movie to be built around his limitations, but an instantly seasoned player with serious dramatic chops. There’s a moment in Coming to America where the subway doors slam shut on him registering surprise and disappointment, and...
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